Category Archives: Spring Colours

The Consistent Bright Spring Landscape

Rarely do the people whose natural colouring fits into this Season realize it. When Julie Andrews played Mary Poppins, she portrayed the average of this appearance and character to perfection. Her hair was dark but the overall effect was of light and clarity. Even her speech and manner were clipped and brisk. She was elegant and groomed and made riding the carousel in a sidewalk chalk picture normal and natural, elegance and magic at once. In Mary’s world, imagination and reality were the same and make-believe didn’t exist.

Image Property of Disney Film Studios

The word Season describes your natural colouring. In the colour world, there are 12. A personal colour analysis tells you which is yours. Why use the word Season, it sounds so dated? Because you are a child of a planet whose landscapes change as it circles (actually, ellipses)the sun on an axis, and we call those changing scenes seasons. The pigments of your skin fit into certain of those landscapes without beginning or end. There is no me, there is no you, there is no line that separates us from our world. I didn’t make that up or believe it from a yoga video. They’re called mirror neurons and they’re quite real. For honouring and celebrating the amazing coolness of being here, Season is a great word.

Your pigmentation causes the same frequency and wavelength of light waves to be reflected from your body (because that’s what colour is) as those reflected from your seasonal landscape. Nature’s wizardry doesn’t end there. The waves that move in that frequency and wavelength can be absorbed by the retina of another being and create electrical energy that becomes biomolecular energy. This generates an image in the brain tissue of that other. Were that other’s eyes closed and you could stimulate those eye neurons in that same way, you’d generate the same image in their brain.

Season is not about how skin looks, it’s about how it reacts. It needs to be given something to react to, like drapes or makeup or clothes. Otherwise, I don’t have a clue. You could argue that human pigmentation can’t possibly be narrowed down to 12 groups. Sure enough, you could have 20 or 30, but at some point, a very powerful way of improving your closet and your bank account would be too weak to work. There would be too many similarities among them to make each unique. The fact is, an eye isn’t able to tell that many similar colours apart.

The pigments that make up a Bright Spring person look a lot like the True Spring colours, meaning they’re clear and pure, warmed by yellow, and fairly light. When those colours get mixed with a bit of Winter’s, they become even more clear, but less warm and less light. With input from 2 True Seasons, Bright Spring is called a Neutral Season. They have warmer and cooler versions of each colour in their skin, hair, and eyes, and so in their colour palette.

Though the Spring presence is biggest, Winter always deals a strong hand. Often, these people resemble Winters, have been told they’re Winters, and dress like Winters. Once their hair turns white, they move over to Summer’s wardrobe and would look better if they’d stuck with Winter.

Landscapes

With the great distance between the parent Seasons of Winter and Spring, the landscapes are as variable as the individuals. The colours speak to me as lush and wild, so the landscape the same, like a jungle. The overwhelming collective life force of Spring and the violence of Winter co-exist. Winter places a cool veneer on the surface but the invisible reality is of life energy gathering force to sustain the frenzy of freedom and bloom that is coming in True Spring. Tension is building, for when this spring uncoils, True Spring will very truly have sprung.

These people have a thousand variations. My picture is pretty hot, or at least building up a lot of charge. AC pictures the melting snow running among the newest flowers. In the comment dated August 23 following The Brown-Eyed Spring article, which is also about Bright Spring, she said

One of the pictures that I have of Bright spring in my mind is of a landscape with frost and the first yellow and purple spring flowers peeping through the snow, the sound of water running under the clear ice, the crisp clear wind, the feeling that it may all freeze over again, but also the knowing that eventually it will be spring. Life will prevail.

She is in fine tune with her colours because she is on the cool side of her Season, so it’s apt that her inner landscape be cooler. Most interesting that the picture she resonates with coincides exactly with her position among the Seasons.You can follow a link to her very beautiful face in the comment mentioned above. Perhaps, her colour story looks like this.

The Persona

Tinsel.

This person sparkles. They have wit, conversation, joy, and humour. Winter gives them formality, organization, and some seriousness with the darkness in their appearance, but it’s not heavy-handed. Spring’s sunshine relaxes them, still with enough cool to give them quickness of movement.

Playful, cold, and clean, it’s all fun and games but there are many reasons for not wanting to get in this water. Winter means risk. Winter element brings an edge, something that isn’t too comfortable. Winter will never make everything too easy for anybody. Like neon, we brace for this colour. In the beginning, you need to roll the dice and have a little faith that you look years younger. Don’t look at the drapes, look at the face when you’re choosing a Season.

These persons look more delicate than they are, like the finest icicles and waterfalls. This is not daintiness, frills, or fragility. Rather, think of the morning after a freezing rainstorm. The branches are coated with a thin layer of ice, looking like frozen feathers. The world looks more tough than soft, but we feel no threat. The sun is getting warmer, we can hear the music of melting ice, and we know the tough part is temporary, almost pretend. In scenery that seems so tight and yet is so easy to snap lies a contradiction that feels excitable and exciting, almost high-strung, to know everything could change in an instant with the right touch.

Light bounces everywhere. We know the thaw is imminent. Just a little more sun, a little more time, already we anticipate the gladness of Winter’s passage, and might even miss its majestic and solitary beauty just a little. While still quiet and cold, the colour information tells you this is not November.

This is a charming and very social person. Spring’s easy smile greets you, more friendly than you really expected. Spring’s love of dialogue appears, less reserved and more joking than you really expected. You’re carried along by an optimistic and open personality, but one who never fully lets themselves go. Winter still has a hand on the wheel and decorum will matter. It crosses your mind to wonder why this dark landscape is so sunny. How can it feel so right to have the sun out at night?

The Clothes

Since who we are not is 90% of the inventory of any store, 97% in Bright Spring’s case, let’s get a sense of what that looks like: earthy, heathery, dusty, misty, hazy, dilute, creamy, undefined, slouchy, rough, rugged, chunky, cozy, faded, subdued, faint.

The person is: spirited, vivacious, happy, charming. They’re the can of ice cold 7Up. Bright-eyed, bushy-tailed, ready for action, curious, and interested in everything. The body carriage is upright and perky, movements are quick and snappy, and none of this goes with the adjectives in the preceding paragraph.

What would it feel like to be standing by those crocuses above or in the jungle at sunrise with your eyes closed? The air is clean and brisk. It’s soft and sharp at once. You smell wet ground and new life. You’d prefer to keep one eye open, having no sense of being snug or sheltered, but it’s still ok. You’re pretty sure nothing’s coming to get you. Birth always brings so much hope and promise that this feels more like a party. Life is so vital right now that it feels a bit unsteady. When you open your eyes, you expect that it will look different than moments ago. How might you do that with apparel?

Bright Spring is :

Funny, quirky, unique, unexpected, bold, bright, artistic, varied. Wear a deep and pure blue-purple shirt with silver writing, whirls, or sparks.

Unconventional. If you do floral, make the flowers blue or green or extreme purple and turquoise (black flowers are a harder take on life, leave them to Winter). If you do tweed, make it pink (tweed being Autumn’s texture, but everyone needs warm clothes; think of a one-of-a-kind Chanel suit).

 

The problem with plaid is the same as with paisley, it is widely recognized as a workday fabric. It says practical (Autumn), not playful (Spring). The prominent squares say functional (A), not fun (S). Flannel is another less-than-perfect fit. By its texture, it dulls colour and says grounded. Bright Spring might feel useful, sensible, and pragmatic, but others see decorative to ornamental. Crystal is not down-to-earth. The Zen moment is when everything you add to you keeps your compass pointing the same way. Compliments become holistic, about the whole you, because no element sticks out, pointing away from your True North. Pick shiny over muffled in fabric.

Winter looks right when they’re overdressed for the occasion compared to everyone else. BSp carries some of that, though they wear informality better. High end workout clothes are great. Jeans are often (not always) too rough. This person shines. They’d look good in a dress made of tin foil. It’s light, delicate, shiny, and hard till you touch it. Softening effects, like scalloped edges, are less good. Youthful looks work on Bright Spring with care, keeping enough formality to balance the Winter that looks bigger than it is. Polka dots to satisfy Winter’s classic style could be great in a formal and still symmetric design, or it becomes too young.

Spring is young. Modern textile is better. It takes up more dye, not dulling fabric. The same colour is more muted in wool than Lululemmon knit.

I want to direct you to a comment AC added, dated Sept 11, is this woman getting a handle on her colouring, I ask you? After How Winters Intensify Eye Colour. She has realized that her colouring is assembled like a triadic colour scheme, meaning 3 colours equidistant on the colour wheel. Of course it is, the brilliant woman! Triadic colour schemes are brilliant on Springs. Anything based on a triangle is, but take care. Bright Spring isn’t that zingy. That scheme is very invigorating at any darkness level. This natural colouring is more settled. Use the 3 colours but keep one element smaller in proportion.

The palette shines light outward, while Winter palettes always absorb more than they reflect. As light gets hotter and we approach True Spring, the sun will heat up even more. Below, you see Bright Winter on the left, Bright Spring on the right.

BSp/BW

 

Anything too crayon/child’s drawing/cheery/playful is the extreme to avoid. Winter is very grownup, formal, majestic, regal, like kings and queens. Find the balance that still says elegance and excellent taste. You can wear a lot of colour well, but use those grays, small areas of B&W, and some darker colours that feel more serious.

Colours that are too soft, too pastel, too grayed – from a distance, those elements would all flow together, which is Summer’s watercolour look. Bright Spring facial features are very distinct from one another. Outfits look better when they are too, with adjustments for your own personal appearance. Bold elements and intense colour are better. Following The Brown-Eyed Spring article linked above, there is some great discussion for those interested in the use contrast, with links to Imogen Lamport’s excellent explanations (If you don’t know her blog, you should. I find her better than anyone at explaining fashion concepts and their practical, real world, real body, real budget application). I’m sorry, I’m not very helpful, my brain locks up, but grateful that Fil, Imogen, and others can help.

Most of you easily have the darkness to wear black. When it’s solid, it looks too heavy and dark. When it’s lightened up, it looks more delicate and crystalline, and if ever a word described you, that would be it. This Pointelle Cashmere Cardigan is great. Every Spring should take advantage of transparency, in clothes, makeup, jewelry, hair laminates, wherever. Wear a bright shell underneath, not black or white or neutral, all of which are too serious and not invigorating enough. As much as crystalline is real and right on you, the other big word for me is glaze. So thin it could crack, transparent sugar.

Bright Spring Makeup

Winter’s red influence is far-reaching. Logic might tell you that this person will wear their warmer bright melon well in blush and lipstick because the Spring element is dominant in their colouring. To my eye, the pinks look better. They can be warmer and cooler but they feel more right than orange variations.

Every Season has their extremes, True Spring tambourine jingling hippie, Soft Autumn Earth Mother, Bright Spring harlequin, bells on the hat and all. The makeup takes some courage here, at least the lip colour. Start with sheer since transparency works. Hair can be very dark but the skin usually is light and bright and needs that in makeup. Lauder is one of my favorites for clear colour in lip products. Wild Rose, Lush Rose, Rich and Rosy, gloss in Fresh Berry and Wild Coral.

Mixing MAC Dollymix and Fleur Power is good. Shiseido RD 401 is a nice blush. Smashbox Radiance is too.

Eyeshadow is harder than anything to find, especially if you prefer matte textures or have mature skin and wear them better. Nothing here you’d call brown. The greys in the beads in the choker and in the diamond shaped earrings below are examples of good colours. The colour is mostly grey and neither earthy (which is usually an orange grey or brown, like a saddle, or a green grey or brown, like army), nor Winter’s hard, dark, cold knife grey.

Examples? Help me out here if you know of any. Become the artist and mix your pigments. Use Clarins Vanilla Beige or MAC Chamomile under the brow, and then again to lighten and yellow MAC Print a little, turn it into that cleanest yellowed taupe. MAC Mystery was suggested, a really good clean brown. Make your life easy, and mine so I don’t have to scour the makeup counters in search of something hard to find on a good day, and buy Mediatrix, Conversationalist, and Upbeat from eleablake. I’d have to buy Daisies and Diamonds too, to make colours I already own right and to bring out the yellow in these eyes. (and check out Dishy blush while you’re there).

Bright Spring Accessories

Do not have a brown or black purse. Connected to a person so sparkly, it looks like luggage. Ditto the generic brown or black shoe, suitcases on feet. Black is fine if it’s not chunky and usual.

Choose patent leather over suede.

Wear fun and colourful exercise type shoes (and clothes).

Wear coloured coats and shoes, ballet flats in fun patterns, sparkly accents, gold or silver threads woven into scarves.

One part of shopping is crazyeasy for Brights : jewelry. Wear lots of it. It looks good. You sparkle and so does it. Not matched? No problem. From Harry Winston to costume jewelry. Fancy, cheap, pretty, silly, all fine if it reminds you of the thinnest layer of crackling glass.

Bright Spring Jewelry

 

Look for delicate, not heavy and complicated, not 10 interwoven strands of pearls and chains. I looked for purity of colour, for colour a person would notice within 2 seconds of shaking your hand, for movement, jingle, like bells on a velvet rope, like crystals suspended in mid-air. When I think of Winter, I keep coming back to dry. Spring, I get sugary, so I looked for a little sweetness in the frost.

I like hearts. Above, they’re little twinkles. Bright Winter is big glitter, harder words for a colder Season. This is frost, not ice. Swarovski is all you really need.

Learning and becoming your Season is like hearing a language you grew up with. I had a Russian grandmother. Understood it fine till I was 10 and we moved from Montreal. Now, I get the odd word, but there’s still roots in that soil. At first, it will feel very foreign, very “I have no idea what this colour language is saying to me.” Look inward for truth and you’d admit it plucked a string. Something felt a ping. From there, you keep moving towards it. Because you already are it, you’ll move fast. You’ll find a place waiting for you that will enfold you, while another person would always stay the square peg. You can choose to stand still, but life is much more fun if you keep moving towards the heat.

 

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The Emmas Are True Springs Part 2

I’d like to recognize Maytee Garza of Reveal Style Consultancy for performing the analysis for the first Emma in this article, as well as the Emma from the previous article. Sincere thanks also to the women who allow photos to be used, providing us with a richer understanding of human colouring and its inevitable associations with our natural world. From me and every reader, know that we appreciate it.

In Part 1, we talked about the draping process and offered some makeup suggestions. Today, we’re on to the person, the hair, and the look.

In 12 Season personal colour analysis, True Spring is the springboard for the clear and warmed-by-yellow palette. Spring people in general have the attribute of looking young for their age for a lifetime. Youthful skin, pointed effects (like a heart shaped face), or upturned features (like Julie Andrews’ nose or the outer corners of Mrs. Laura Bush’s eyes) are often found in this Season and its five blends. When you’re reminded of faeries and elves, you’re often in the presence of Spring. It’s the cuteness sometimes, and more often the light humoured, lighthearted, easy possibility of magic. The whole thing – the lightest touch, the sprinkle of gold dust splashing from the end of a wand, the musical trill, and the reminder that life’s limits are all imagined. Spring is enchanted to the point of being not real.

I put thought into avoiding the stereotype pictures on this site. It uses up barely any mind space because those stereotypes are quite hard to find among real people. Today’s beautiful Emma may be more Spring-like, but I expect someone could have said Summer or even Soft Autumn. There are many Spring indicators. You see the sublime skin quality, poreless, flawless. Spring is able to illuminate the skin from within, like a light backlighting the face, better than any other group. The hair colour (more later) is strongly Spring. The warmest colours in a so delicately chiseled face – it’s not a big step to fairy princess. And of course, she is not yellow in True Spring’s drapes. Everyone else is, even the Spring blends, and I don’t mean just a bit yellow. Only a True Spring can clear the jaundice in those colours.

The Person

I once said about True Spring something like, I lost the keys, forgot the map, didn’t get money, but I’m ready to party. What are you so mad about? But that was wrong, they’re not dizzy in the least. That was before I had ever analyzed any. This is much more of a Come on, people, now, smile on your brother. personality.

I once expected this person to be a bit manic, like a day on a rollercoaster. I put too much emphasis on the stereotype, forgot to balance the picture, and came out with Goldie Hawn on Laugh-In. We all do this with the personality traits. Once I realized that my dentist is a True Spring and then I had analyzed some, I fixed that notion.

True Spring is a relaxed and peaceful individual, one who can hold the faith that the world can work in our favour. They are undeniably cheerful, but not cheerleader. They easily trust in the value of play rather than work. They are more informal and less sensitive and focused on the details than Summers. Winter’s drama and intensity of character are not here, and neither is Autumn’s keep-your-head-down-till-the-job-gets-done drive.

If they have trouble choosing, it’s because every choice is a good choice. They can see the positive side of anything. Spend a little time with them and you find yourself as contented by life’s little joys as they are. This isn’t a sugar rush. It’s a carefree optimist with a song going in their head all the time. A summer day, a pool, and a beer are enough.

The Hair

Remember that hair is the feature least tied to skin colour. Everything I say about hair colour goes after the disclaimer of Usually…

Besides covering gray, I can’t think of a time when chemistry improves base hair colour from what Nature gives us – and let me be clear that by improvement, I mean that the woman is receiving what she wants, which is to be not gray. I do not mean that coloured hair necessarily looks better. It does sometimes, and sometimes definitely not. It is a choice. The colour we had at 25 provides a good picture of believable hair colour on our adult heads, before many of us darken in our mid 30s. It is a flattering, low maintenance colour that we can wear well. Some look great with lights woven in, many don’t, in any Season. Highlights are not a necessity, just a marketer’s dream.

The hair base is beige, though may be dark. Emma has outstandingly beautiful hair colour, a very successful base colour for many True and Light Springs. There is warmth and weightlessness in this colour, a translucency compared to the heavy, rich warms of Autumns. This is not Grizzly brown. Many True Springs have darker hair, sometimes brown enough to cross over into Autumn type browns. Absolutely no absolutes with hair.

When red exists, it’s yellow-based, so carrot yellow-orange, not squash brown-orange. Nicole Kidman, not Miley Cyrus. Shiny brand new penny. A reader helped me with the information that this colour is called Venetian Red in some lines of hair colour. It has a peach quality, where you can feel the pinkishness. Gold in hair colour is a heavier warmth, not what any Spring blends strives towards.

Spring is all about light, more so than any other. Yellow hair, varied like the colour of PeachesNCream corn can work here, but I suppose we all outgrow it and its maintenance at some point. For many who have highlighted their hair for so long that they can’t recall the base colour and the whole head is a highlight, look at the nape of the neck. Reset the head to that, or a shade or two lighter. Weave in filaments of sparkle. Stop.

Grey can be a tough transition for the pure warms because it seems inherently cool. Lighten the highlights at this time so the grey disappears into them. Eventually, a creamy grey that’s not platinum like Helen Mirren’s could be gorgeous. When she wears a more a natural grey, she seems more Summer in some ways, but you can see the yellow in the skin. She may soften to Light Spring, may lighten and soften the makeup then too.

Hair styles are fun to think about, but depend on so many things. Spring hair is beautiful when it moves, when it makes light dance. Ponytails, layers, swingy bobs, lots of ways to do this. When I think it suits the person less is when it’s heavy and lies too flat, like the straightened hair so many young girls wear. Spring is so much about the celebration of life that hair should join the party.

Pixie hair styles suit pixie faces, as in the very adorable (big big Spring word) Michelle Williams.

Interesting thing to think about for a minute: wispy hair suits wispy faces, something I see a lot in Soft Summer (Shannon Is A Soft Summer) and Dark Winter (Victoria Beckham). There’s some overlap here, people you’d wonder which they are, like Winona Ryder or Katie Holmes. A digression.

The Look

This is the fun part. When the colours and styles you add to you are a natural extension of you, that’s when it feels most right to look at you (and to be you). How do you become a continuation of a crystal green sea, a cloudless day, of what this feels like?

 

Words like hibiscus, frangipani, bamboo, orchid, sun, palm, banana, reef. Heat, scent, and colour to load the senses, at no risk.

1. True Spring should always inject colour. Try a purple bar on rimless or half frame eyeglass frames instead of silver or gold. True Spring does things out of the blue. Colour shouldn’t be too safe, there’s no need for it. This is not the budgie, it’s the Scarlet Macaw.

2. Adds movement. Think about several beads dangling off a hoop earring, a few light shiny bangles, or a charm bracelet or necklace. Lots of ways to be imaginative and grownup at the same time.

3. The natural colouring does not feel linear, serious, or hemmed in. Neither should the clothing. To adapt a menswear jacket, choose light crisp cotton with a sheen and a colourful fabric detail in the roll-up of the cuff.

4. Tunics, smocks, hippie stuff, embroidery, the whole Peace, Free love& Sandy feet thing.

5. Jeans are bright and blue. Denim’s fadedness seems contradictory to Spring’s clarity. But denim is about relaxation and holiday. These are great, intended for fun and amusement, not weeding. They are neither overly faded (read grayed) or dark.

Denim can be about work too, what makes it so versatile. Avoid rugged cuts and weights.

6. Fun and funky. Aviators, colour pops, oversized purses, colourful coats and footwear, this is who can wear them and look terrific.

7. Suits are light shining on gray, tan, and bright navy. PCA puts you very far ahead by just knowing what to not buy. Keep it light to medium in darkness. No steel, soot, scalpel, ice, or black.

8. Spring is warm but delicate, especially when the facial structure is as porcelain fine as our Emma’s. Her face so puts me in mind of a young Sissy Spacek. Though her intrinsic colours are hothouse blooms, a colour riot or a very bold design may overwhelm her. For all of us, our neutral greys, browns, taupes, and so on, are the anchors for the more animated colours. They help quiet multicoloured prints and often include our hair colour tones, toning the busy-ness and looking more organized. This tunic uses warm colour in a delicate way, has random not repetitive design, and has many angular effects, like wings.

9. The colour of the dress is fresh and green, like you might find inside a greenhouse. Spring’s message expresses youth and movement very strongly, and this dress does both in the tiered ruffling, but toned down for a grown woman to wear.

Could the green be too blue? Maybe, might be good on a Bright Spring, or a True Spring on the cooler side of her Season. Not every item in stores will be perfect in every way, as you already know very well. A shiny gold necklace, a warm pink lipstick will pull it into True Spring.

We often talk on facebook about knowing whether you’re on the warm or cool side of your Season, since in the real world, you may have to compromise your palette in one direction or the other. The concept is confusing to many but needn’t be. Your Sci\ART draping makes it clear whether you tend warm or cool by which is your runner-up, second best Season. Just buy that Season Book to give you a very clear sense of its boundaries and how to make the crossover with your own Season. You’ll greatly expand your understanding of your own Season and make shopping all the easier

10. The jewelry – the person looks like happy magic and so should the jewelry. I loved this, on another True Spring, our third beautiful Emma.

 

The necklace detail,

 

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Use of Images

The images contained in this article are of private individuals, not celebrities. I consider the permission for me to use them as a privilege. It is my intention to protect these women’s privacy and generosity. If you use any of the photos without permission, I will seek legal counsel. I do not want to have to reduce the beauty and detail of the photographs with watermarks.

This is a learning site. Please do use my words with credit back to the web page you copied and pasted them from. If you mix up my meaning and get the message wrong, feel free to omit any reference back to me.

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The Emmas Are True Springs Part 1

I warmly thank Maytee Garza of Reveal Style Consultancy in New Jersey for performing the PCAs for both of the women you will meet in these articles. Maytee’s work upholds the highest standard of colour accuracy, from which we all benefit. Also a thank you to both Emmas for permission to use the photos.

The picture of another person won’t help you find your Season. The variability in human colouring is too wide and the common key, hidden. But pictures are wonderful to help you visualize the Season’s special radiance and right colour’s ability to transport a face to a new, other place.

After two years of waiting to see this Season, my last two clients were True Springs. One was a 12 year old girl, choosing her colours nearly perfectly with the well-tuned colour pitch that children have, the second a 50 year old woman of Icelandic descent. Though I still learn from every PCA, True Spring skin was quite special.

Here is our first Emma.

The Draping

The first drapes we compare, of the 10 to 20 sets we will go through, are a set of 4, representing each of the True Seasons. I spend a fair time at the beginning of a client’s session deciding which True Season(s) I’m looking at, and which I can forget about. I’m also teaching our eyes what this particular face does in the presence of wrong colour, because they’re all different.

Usually, True Season skin is different from the outset, in that only one True Season drape of the four seems to flatter, instead of two, or maybe three, with the Neutral Seasons. The skin tone perfection demands absolute colour heat or coolness and it does not compromise, even at the earliest stage of the draping.

Describing my Icelandic lady’s draping: Weirdly, both Spring and Autumn seemed ok. I even had trouble deciding between them, which happens very rarely. Spring’s drape made the skin brighter and more evenly coloured for sure, nearer to the face that’s already wearing perfect foundation and concealer, the result we’re striving towards. The difference just wasn’t as obvious as it usually is. On all the Spring blends of my previous experience, Autumn’s drape was very wrong. Not so here.

Spring was better, but why the difficulty deciding that? Because I had forgotten the What Is Most Important rule. For True Spring and True Autumn, heat is most important in colour. Saturation, not so much. Lightness/darkness, a little more, a little less, fairly forgiving. When heat in colour is at the max, good things happen, whichever kind of heat it is. By that, I mean that Spring and Autumn have very different heat. Hold in your mind a buttercup (Spring) and a rusty nail (Autumn). Very different look, feel, aura, everything. Spring’s yellow, Autumn’s gold (darker, richer, greyer) both seemed far better than the pure cool choices.

True Winter and True Summer, I was very sure about…hopeless, ghostly, tired. Like Bright Spring, True Spring looks a bit dead in True Summer pastels. It’s dramatic. Why? Because now two colour dimensions are off. True Summer is max cool and pretty muted. True Spring is max warm and pretty clear. Many Springs are wearing Summer colours because they feel safer and buying pure colour is not easy to do, especially pure and light and yellow colour. In Summer colour, they age themselves tremendously.

Once the drape colours became more specific, it was easy to choose between Spring and Autumn. For me, the next revelation came when I realized that this was the first time I was seeing a person not becoming yellow in True Spring’s drapes. You can see that Emma doesn’t look yellow, and believe me, in True Spring’s test drapes, everyone else does. I had seen the easing of lines and luminous eye that a Spring blend will have, but I had to ignore the yellowing of the skin, teeth, and white of eye. In True Spring drapes, the skin colour is suffused with vitality and life, while it is bland and pale in the Spring Neutral Season drapes. In right colour, especially the bright clear orange-red, you can watch a bloom rush up into the cheeks and the shadows go away.

The Makeup

This skin takes a lot of colour, and noticeably yellow colour, to come fully alive. Cosmetic colour cannot be wishy-washy, not dusty (looks dead), not earthy (looks like a rug), and not creamy (cream-of-wheat face). This colouring is strong. It will fade Light Spring’s beige-pink lipsticks to make them paler, even greyish (because remember, Light Spring’s colours are a touch greyish from their Summer bit).

The misty sunbeams of Light Spring are not here. This is tropical colour. The lagoon, the Bird of Paradise, fruit punch, Kool-Aid colours, full on yellowed heat. True Spring’s pure, golded, ripe, fresh colour will be hard to come by in the earthy, flesh-toned world of the cosmetics counter. Not impossible, but it will take an empowered woman with a mind released from marketing chatter to make these choices. And like everything in life, it will take a few overshoots and undershoots to perfect. Nobody got anything right the first time. Your best makeup and hair colour are on the other side of your mistakes, not on this side.

We’re putting makeup on Cameron Diaz and Robert Redford here. Could be Amanda Seyfried and Wayne Gretzky, they’re pretty yellow, but not as yellow, probably Light Springs. As you see from the photos, not every True Spring looks obviously yellow. The majority do not. But the colours that work on Ms. Diaz have a good chance of looking glorious on all True Springs.

PCA is not about what you look like, it’s about how your skin reacts to colour, right? Ms. Diaz is the stereotype for the Season, our prototype to try and transfer data from. None of us can really picture anything on ourselves. It works better to visualize on someone whose skin acts like ours, someone in our Season. If you’re not sure about a colour, think of who you’d put it on – Diaz or Lindsay Lohan.

Most of the time, a Season makeup colour will be believable and attractive on every face of that natural colouring because the colours are chosen to be the same as those already in the face. These are the colours that could have just happened by themselves, indeed already have happened in the natural colouring. Every woman makes her darkness adjustment depending on intensity of hair and eye colour, rest of the makeup, comfort level, age, occasion, and complexion, but the colours always come from that Season palette.

Eyeliners

- MAC Duck and Uniform (a green)

- Clinique Roast Coffee (darker) and Brown Sugar

- ELauder Bronze

- Gray is brilliant in makeup but can be hard to understand and to find the one you want. If we ignore the dark, sharp, and blue grays and look for medium colours (since sunny gray will take some searching), Sephora 11 Matte Charcoal may be good. Many eyebrow pencils are grayed and Lancome Sable is a nice, soft one.

- True Spring can carry a lot of colour without looking parrotty, and navy eyeliner may work well. Clinique Navy is great, a bright, true navy. Turquoise is worth trying. The green in it may allow to belong even more effortlessly in a True Spring face where all the yellow has turned most blues to turquoise. No dark colour should ever be so dark that it appears to hold black. Light is supposed to come out of the Spring palettes, not be absorbed into it. The more saturated, darker Deep Cobalt is for Bright Spring.

Eyeshadow

- looking mostly for yellows, peaches, the colours of Rice Krispies and parchment. Colours for Charlize Theron, not JLopez. Not red or orange browns, but yellow and peachy, all the way to dark peach.

- ELauder Sandbar Beige, Riviera Rose, Wild Sable, and Cafe Au Lait, Ivory Lace, and Buttercream Double Wear. The Stay Bronze pot could be a good liner, but this stuff dries almost instantly and doesn’t move without more eyelid pulling than I want.

- MAC Cork.

- EArden Vanilla, Teak, and Wheat.

- Lancome Positive and Chic.

- Gray? nothing I loved. Gray is inherently cool, and I see it as liner better than shadow.

Blush

- clear, candy, lollipop, warmer than Barbie pink. No grayness (smear it on paper towel and wait 30 min. to check). Gladiola, not sweet potato.

- Shiseido RD 103, PK 304 (very nice).

- MAC Fleur Power.

Lipstick

- Lancome Rose Mystique is a lovely red in lisptick and gloss, may go on too blue for some. Revlon Love That Pink is good too.

- Lancome Jeweled Pink.

- Maybelline Color Sensational Hi Shine Coral Luster.

- L’Oreal Always Apricot and Charismatic Coral.

- Merle Norman Popsicle, Persimmon, SunKissed

- MAC Crosswires and Sheen Supreme Made To Order; See Sheer is a possible, similar but toned down from the discontinued Viva Glam Cyndi (and from the opinions of True Springs, too muted and brown – try MAC Ravishing instead)

- Clinique Rose Toffee (sheer), Ambrosia (more golden orange), Sugared Grapefruit (light)

Mascara

- medium to dark brown.

Important Heads Up

I haven’t applied the makeup above to any True Spring faces. I just went shopping with the swatch book. Buy nothing without trying it.

If you want colours from an artist who has test-driven the colours, be aware of Darin Wright’s fantastic products, custom-coloured for all twelve Seasons at eleablake.com. For tough to find Seasons like True Spring, this is one-stop successful makeup. The eyeshadows for True Spring look shockingly beautiful from the website.

In Part 2, the hair, the person, the look, and and our second Emma.

 

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Use of Images

The images contained in this article are of private individuals, not celebrities. I consider the permission for me to use them as a privilege. It is my intention to protect these women’s privacy and generosity. If you use any of the photos without permission, I will seek legal counsel. I do not want to have to reduce the beauty and detail of the photographs with watermarks.

This is a learning site. Please do use my words with credit back to the web page you copied and pasted them from. If you mix up my meaning and get the message wrong, feel free to omit any reference back to me.

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Light Spring Looking Serious

We talked last time about how Light Summer conveys a professional, adult image with a palette that can feel like rainbows and fairy tales.

Light Spring (of the 12 Seasons, this Neutral Season is mostly Spring with a little Summer) is in the same boat. Although creamier and less misty blue, you would use the Light Spring palette to paint the Fountain of Youth. How we dress, how our faces and bodies look, it’s just the light we give off. Light Spring is the creamy green, pink, and white light of a tree in bloom. Not just one little flower, as has been suggested, this is the whole glowing magnificent tree, radiating a clear, young, vital light.

I could suggest that you to aim to project this light when you choose what to buy, but it doesn’t help much at a mall.

Let’s call this beautiful woman Lynn. Light is not the first thing you might say when you look at Lynn’s face or her overall apperance. She knows from a Sci\ART personal colour analysis that the Light Spring palette created the most perfected skin she could achieve. Skin is difficult to illustrate, so we get caught talking about hair and eyes, though we know neither has a definitive place in deciding Season. This hair colour is a bit darker than her natural colour, but not by much. Her eye colour is not dark or intense, rather similar to the soft green leaves behind her. There is a great misconception that the Light Seasons are all blue-eyed blondes. Rachel addressed this topic better than anyone in her article on revising our idea of Spring and Summer.

Notice the perfection of the earrings, dress, sweater, both in style and colour. These people look younger than anyone else, for longer, a marvelous gift. But they don’t necessarily want others to think Barbie, Tinkerbell, cupcake, candy heart, Mother’s Day Cake, or anything else with a pediatric drift, when they assemble an outfit. This can be challenging with a palette that is sunny and delicate to the point of enchantment.

Light bounces everywhere, though not full on squinty light. The overall feeling is distinctly warmer than Light Summer, but lightness of colour is shared as the most important aspect of perfecting skin tone. Every item need not be perfect, is not in the collection below, and will not be in stores. The overall impression pulls single items into a cohesive Light Spring feeling.

Try not to get too playful. Though a coloured bag or jacket is so good on Springs, the brighter the colour, the plainer the style, at least for professional impressions.

Make big use of neutrals, and remember that they are luminous too.

Light Spring work

 

 

The green blouse would be better with ivory than white, but the overall feeling is light. The pants with the yellow blouses are not part of the collection. Pants are very light neutral. Most khakis and chinos are too orange, heavy, and/or yellow-brown for Light Spring. Light beige pants are quite fine, but camel can look almost like furniture, bulky and solid on this airy lightness.  It just put friction into the system that doesn’t feel good. Notice in the set above that you can feel some restraint still where heat is concerned.

In response to the Light Summer Looking Serious post, a valid point was raised that I want to share. Why does the Light Summer coat look so light (from the previous post), and this suit so much darker? Is there a difference in how dark the two Light Seasons can get? Great questions.

In my head, they went to about the same level of darkness, or not enough that it would matter in stores, though Light Spring would be the lighter of the two, with the main difference in side-by-side swatches being that Light Spring is yellower and a touch clearer (less gray). That was true of the pre-2010 swatch books I still have. When I looked at my post 2010 swatch books (no idea when in 2010 they were made, if they were old stock or new formulas), Light Spring is definitely the lighter palette of the more recent books. A sincere thanks to the woman who pointed this out.

The Light Spring palette looks the same as my post (not a typo) 2010 books. To look at the two, Light Spring look a bit hazier (as in misty,rather than grey), though those are the clearer, less muted colours. As they lose Summer grayness and take on more of Spring white to lighten plus yellow to warm, they become creamy. The purer the yellow, increasing as we move into Spring, the lighter the colour. Muted means closer to gray, a Summer characteristic. If True Summer is skim milk and True Spring is real cream, Light Summer is still only about 1% milk, whereas Light Spring is what? Half ‘n half, not as heavy as whipping cream.

Light Spring colours must be tints, with more white added to them, or that’s how it seems, though I am no colour mixing expert. There may also be a photographic factor here, since the Light Spring swatches are the clearer ones to look at IRL, perhaps a bit like the effect of being photographed while wearing sunscreen. In thinking of how to describe the difference, overexposed came to mind.

These articles are not intended to show the colour extremes. Only the swatch books can do that. These sets are more trying to communicate an overall feeling and simulate a real shopping experience. The coat in the Light Summer post was among their mid-darkness level browns. Is the coat above too dark for Light Spring? You may feel that it certainly is. To me, it is OK, though they would not go even one degree darker. I left it there for the illustration.

Is the colour too something-not-right, better suited to an Autumn? A Soft Autumn could probably wear it, though I don’t see a lot of orange in the colour, it seems more a Spring yellow-brown on this screen.

The issue for me is whether a Light Season would wear the jacket and pants together or if the overall look would be too heavy and somber. I still think it would work with a light blouse, but some of the very fair women may feel otherwise. Every woman will have to make a darkness adjustment within her palette, based on the darkness of her natural colouring and her own preference, how much makeup she likes, etc. The model wearing the suit is holding her own in it. The model in the photo to her left probably could as well.

How could I, I forgot handbags for the Lights?!

 

Bags for Light Seasons

 

 

Interchangeable for the Light Seasons. Not too much hardware, which looks heavy. Light means light by every connotation of the word.

Light purses get dirty, I know, but I still prefer the look with this woman, clothes, and makeup.

The right column, 2nd from top, though a nice colour, may feel too clunky and heavy. May also depend on the size of the woman carrying it. Purses look good when they kind of match our body shape. Rounded with rounded, boxy with boxy, big and little with big and little.

No brown bags, which feel too weighed down and utility for Spring, especially Light Spring, even in a workplace look. I apologize to anyone with brown purses and respect, indeed welcome, your right to disagree with me as long as you tell me why so I learn something. Left column, 2nd from top, is also a bit heavy, but if something qualifies as cute, probably Spring.

Middle column bottom, the blush pink may not be for the day you chair the meeting, but great for the business lunch the meeting-after-the-meeting. I believe we should find a way to wear our undertone colour every day. Others get that something is going on that their eyes are not often given.

 

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The Brown-Eyed Spring

Or Never Give Up On Your Colouring

This post is special for a few reasons.

First, I get more questions asking how this colouring looks than all the other groups.

Is this the rarest Season of them all? I think it depends where you live. I have never analyzed a True Spring, but I have seen what they look like: Robert Redford, Uma Thurman. I give up a bit on female examples because they are so altered, usually for the worse, that a natural original is almost impossible to find.

Bright Spring is not really rare. It is unpredictable. This colouring always seems to look like something else. To confuse matters, the opposite is true as well, where many other Seasons can look like Bright Spring. When hair is dark, this person can resemble Dark Autumn or Dark Winter when eyes are dark. If eyes are light, the similarity to True Summer can be startling.

Secondly, this beautiful model, whom we can call Audrey, has brown eyes. Those are rare in the Spring and Summer groups, but where human genetics are concerned, nothing is impossible.

The Bright Seasons are those that combine Winter and Spring colouring. If Winter is stronger, the Season is called Bright Winter. If Spring influence is larger, the person contains the colours of the Bright Spring palette in their natural colouring. Both are Neutral Seasons in the Sci\ART 12 Tone system, meaning that this skin has some warmer and some cooler colours. This is important information for buying the right foundation.

Asian features often belong to people whose colouring is perfected by the Bright Seasons. Here is one of Audrey’s pre-PCA pictures.

Nothing wrong with that picture at all, but would you think of a Spring person? Maybe, but I didn’t. Bright crosses my mind when I see Asian features, but I couldn’t picture the bright coral pink lip colours on that skin tone. When you look at the PCA pictures, do you find that Audrey does not even look like the same woman? I was blown away by the difference. In her most beautiful colours, her skin tone is light, bright, evenly coloured, illuminated and brilliant. Bright Spring takes their Winter influence and turns it into pure sparkle.

This illustrates what worries me about doing Personal Colour Analysis from photographs, even good ones. They just give you one static shot, but colour analysis is anything except static. It is a very dynamic process, of ever-changing drapes, colours, and better-than decisions, through many sets of drapes. We compare and compare and compare again.

***Thank you to the wonderful Maytee Garza at Reveal Style Consultancy in New Jersey for this analysis. Maytee has shared photographs of PCA sessions with several clients on her Shutterfly page.***

During the draping, we see right away that black works pretty well, but seems too serious and hard at the same time. Something is off, not always easy to put your finger on what. In True Autumn brown, nothing happens. It just sits there. And the longer it sits, the worse things get, which happens with all wrong colours on everyone. Some Bright Springs look physically small, old, and weak in Autumn colours.

Then True Spring’s yellow goes on. Wow. The person turns yellowish, because that drape is too warm, but the eye goes from generic blue or brown to something amazing. The face becomes perfectly evenly coloured. If you could just erase the yellow, the face would already be wearing custom-coloured foundation and concealer. Ten years come off the face of older women. Everyone in the room stares speechless.

In the photo below, compare Audrey’s colouring to Maytee who is a Dark Winter. The clarity and lightness of Audrey’s skin compared to the much darker, muted tones in Maytee are so much more evident. Notice too that black works, but a small black block with a big light, bright block is spectacular.

Audrey’s descriptions are far better than mine could be. She said,

I love that it’s mostly about the skin tone in Sci/Art, but it really is about the eyes and hair too – not in the way that the eye/hair color is part of the final judgment call about a person’s season, but in the way that one can see changes in the hair and eye color too. When I wore the wrong colors, my eyes darkened and you couldn’t get the full effect of the topazy/hazel/interesting lightness (comparatively to other brownish eyes). When I wear my best colors, my eyes lighten to a shade I never even knew they could be, and even my hair changes – I notice the warmth in it, the interesting chestnut/red/orange undertones.

This is the best part. When the hair is covered, it is easier to believe what your eyes are telling you. In Audrey’s words,

The Bright drapes, both Bright Winter and Bright Spring, worked, but the Bright Winter drapes were a bit too blue/too cool, and they didn’t light me up as well as the Bright Spring drapes did. Interestingly enough, some of the Summer drapes worked on me but in general, the Summer palette greyed me and I REALLY could see it. So finally, it was between Warm (True Spring) or Neutral (Bright Spring).

Can you believe it – me, a dark-haired, dark-eyed gal (who actually has topaz-ish clear hazel eyes in the Sci/Art lighting which is a duplicate of natural lighting), was actually being considered for TRUE SPRING! I almost couldn’t believe it but funnily enough, it took a little while to figure out which worked better – warm or neutral. They both looked great but the Warm drapes yellowed me a bit. Also, between True Spring and Bright Spring, there was no contest – True Spring did not incorporate my natural darkness, which Bright Spring does.

One of the most interesting changes that we noticed aside from a greying of the skin or a dulling of the skin was the fact that my eyes darkened when I wore colors that weren’t bright/clear enough. This is also something that I noticed before this draping session, especially when trying different blush colors. When I’m not wearing the right colors, my eyes darken and you can’t get the full effect of how topaz/hazel-colored they are, and now I know that it wasn’t just my eyes playing tricks on me!

The more you are willing to release, the bigger the prize.

 

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How Springs Intensify Eye Colour

The wonderful benefit of colour analysis is that by wearing the colours already in you, same value, warmth, and saturation, you get the youngest, healthiest, most perfected skin. You also look least artificially made-up in colour analyzed cosmetic colours.

When Spring eyes are light in colour, they are usually quite light. If they get surrounded by dark eyeliner, hoping to bring attention to them by creating a deliberate light/dark contrast, the problem is that the dark colour does not appear anywhere in this natural colouring, so it looks false. And because this person will not balance such darkness, the effect is to do what a dark line around a light shape always does, to close it in and make it appear smaller.

Sorry for all the links, but these images are copyrighted. May take some patience. They should open in a new window.

For all 3 Springs,

1. Makeup cannot be earthy or pastel. Earthy means orange and muted. Pastel means softened with gray and not too pale. A lot of makeup is halfway between clear or not clear. The discomfort of earthy makeup on a Spring can be seen here (please excuse the title of the article, but you see the painful effect of orange-brown eyeshadow?) It looks unnatural and heavy. Lines appear under the eyes, as if the woman is tired from competing with the colours.

When makeup is too cool, the effect is anemic, here again on Ms. Theron. There’s something ghostly about the skin, rather than healthy and glowing with vitality.

And when it is good, here, same model. Only the Light Season can do this spun gossamer, sugar fairy look so beautifully. Spring adds yellow light, Summer does not. (The eyeliner is still pulling colour out of the eye.)

2. Eyebrows matter. PCA brings attention to your eyes like never before. They are the focal point of your entire being. The brows are the upper frame for the eye. Keep them neat and shaped. The cheekbone is the lower frame for the eye.

3. The waterline of the eye is the inner rim of the lower lid. In your best colours, it will be the same colour as the rest of the skin, which is calm and pale yellow-beige. That looks healthy, cleans up the white of the eye, and sharpens the iris. You could put a line of cream eyeliner there.

4. Never underestimate the power of jewelry. It is near the face. Violet eyeliner does not look entirely grownup in makeup, but violet in jewelry can be remarkable. Spring infuses everything it touches with happiness and movement, so can it wear a lot of bright, clear colour. Even costume jewelry and plastic beads work very well. They express the exuberance, the enthusiasm for life that is felt even at the outer reaches of the Season.

If you are young and want to wear violet eyeliner, be sure it comes from your Personal Colour Palette. Stay away from purpley grey or brown. It’s the color of the string on the necklace linked above.

5. Mascara is cool brown to black brown, depending on how dark you are. Black looks like spider eyelashes. Some of the dark-haired Bright Springs can wear black. Hard Candy makes a cool brown mascara. Smear a few out and look at them.

6. Wear your eye colour and wear its complement colour in clothing.

7. Wear a yellow-cream or yellow-peach eyeshadow hilite. It brings out yellow in the eye.

8. Think about accessories. The inside of eyeglass frames can have another color bonded to it. It looks cool, and I find it imaginative. Spring is a bit exaggerated and they can manage this effect nicely. (image linked to source). The outer frame is too dark for Springs.

Light Spring

These people are usually very fair. Some have ash hair and look like Summers. Some have yellow-green or brown in the eye and believe they are Autumns.

The woman who gets my vote as most consistently ruined by makeup and clothing. At least, her hair is usually good. True of the Light Seasons, the less they put on her, the better, younger, real-er she looks. Here not too bad, but I searched.

This is a Light Spring eye. Notice that there there is yellow in it. It may be a green yellow, but it is certainly not an orange yellow. The eye belongs to Louise in the article Louise and Stevan Are Light Springs. Notice how cool and ash her hair looks and that she is not particularly light, though Stevan is. Notice too that the lashes are not very dark.

Repeat effects using makeup if eyes are blue or green will be the cream eyeshadow hilite or the cream waterline pencil, but go easy with this waterline thing. It can look bizarre quickly. If you love a pale aqua eyeliner, you’re under 25, and you are not in a professional situation, have at ‘er.

With the Summer cooling effect, Light Spring still has more grays in their palette than browns. You want an eyeliner that defines without overtaking. Rimmel Stormy Grey is good. Summer may have left an unexpected charcoal rim to the iris and this repeats it nicely. Wear your gray clothes, for the same reason.

Keep makeup light in colour. Do not be talked into pops of colour that just compete with what you are. Even contour eyeshadows should be light. Louise does not wear dark makeup.

If green is in the eye, wear your clear light red lips, even as a sheer. Red and green are complements.

Go easy on the frost. The Summer Spring blends have a deceivingly fragile complexion. Makeup effects can take over and fast. Do a thin shimmer in one place at a time, maybe inner corner of eye. Or maybe do a lipgloss over lisptick in a light peach-gold like MAC Instant Gold Lustregloss.

True Spring

These are the fair-skinned, light-eyed, yellow blondes. Uma Thurman, Charlize Theron, Cameron Diaz are the stereotypes. In the real world, the True Spring may have medium brown hair, since there are few real blondes after 30, and glowy golden green eyes.

Same repeat effects as Light Spring if eyes are blue or green.

Brown eyeliner is good. Warm yellowed gray also works. As ever for Spring, it is not an orange brown. Can Spring still wear orange? Absolutely, a clear orange. It’s just that the browns are not oranged.

Balance the eye with lively lip colors. Flat and safe looks like Nicole Kidman in pale hair and lips. Spiritless in a Season based on the very opposite concept. The whole face, the entire presence is drained and diluted. True Spring can balance a lot of the right colours and look fantastic in them.

Brown eyeshadow is fine. Light and clear. Picture those women in beer and honey eyeshadow, it works. In flowerpot or antique deep gold, too heavy, doesn’t work.

Wear bronzer that is not too yellow or brown. It should be a sheer, pale, yellow-golden-beige. This is Stila 01 at Sephora. Sweep it up onto the forehead, around the eye.

Add a touch of cheek highlighter in a light yellow gold if you’re young. This is the face of the glowing outdoors.

As ever, wear your eye colours from your Colour Book somehow every day. A scarf, a pin, an earring, a purse, a hairband.

Bright Spring

The very fascinating Bright Spring never fails to surprise everyone, the analyst included. If the eyes are light, you may wonder why they look so bad in Summer pastels, which is where you thought you were headed. If the eyes are darker, you wonder why Autumn drapes look tragic, while all the lines are eased away by the Spring drapes.

These women can use the light/dark contrast of dark brown or grey eyeliner with light eyes, because the darkness of the hair can balance it. The grey must be clean and crisp, and less dark than Winter. Merle Norman Galaxy and Annabelle Mercury are good.

They never wear brown in eye makeup very well, unless it is a light taupe like Dior Earth Reflections. Notice (linked below) how there is no orange in the colors and they never get extremely dark.

The person is deceptively light, though they do not always look it, as some Asian people for instance. The same rules of Spring apply, meaning not going overly dark or bold. This remains delicate skin.

Heather Karuza, who writes the very worthwhile makeup/nail blog at Coloruza.com, might be a Bright Spring. That could well be that Autumn-looking eye of this Season. The dark hair-light skin contrast makes one think of Winter, but this girl is not really all that dark. The skin on the throat is light and yellow.

Here, in clearer coloors, showing also the Dior 5-shadow Earth Reflections.

Here in more Dark Autumn makeup.

You see why they so intriguing, ay?

(PS- Heather, if you read this, the e-mails from the site did not get to you. Hope it is ok for me to post these links. If you prefer not, I will take them down. C.)

 

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Best Makeup Colours : True Spring

We each have a map, an inborn GPS that aligns us with our best makeup.

The makeup that looks most believable, youngest, the least severe (synonymous with aging), and the least fake, is found in our natural colouring.

Anything else can look as off as a herd of grazing cats. It just feels wrong, you know? Not impossible, just crooked.

Choreograph your appearance to keep repeating.

You begin with a natural colour palette that is specific, not random.

Repeat it with your clothes.

And again in your hair colour.

Again in your makeup.

Once more in accessories.

Level after level after level of building blocks that stack up precisely. Every element is aligned. That looks like strength.

Learn which of the 12 palettes is yours with Seasonal Colour Analysis. The cosmetic colour palette below will be in your personal colour palette swatch book.

We will go through the True Seasons first. They do not have a cooler and warmer alternative. The True Spring is purely warm, the most important thing about its colors.

This palette is a little different from True Summer. Even purely warm Seasons have greys, they’re just warm.

The best lip and blush fuse with the basic undertone of your skin.  Lip and blush colour look great when they’re quite similar. On real faces, when these colours come from the palette itself, they seem to accord on their own. There’s no need to own more than  two or three of each, mostly for variety. They work with one another quite interchangeably, and also with the wardrobe.

You adjust the depth of your makeup colors to the darkness of your colouring or complexion. The lip colours should be about the same intensity as the eyes  and hair colour.

An unexpected paradox happens in that by learning who we are not, we experience greater freedom.

In understanding who we are, we feel renewed. By wearing our own colouring as cosmetics, we also look rejuvenated, by 10 years at least.

 

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Activewear Jackets for The Light Spring Woman

Because the Spring Season speaks primarily of movement and animation, you look great in active wear.

As always, staying true to your personal colour palette, I like this Zella jacket at Nordstrom.

Turquoise is certainly among your perfect clothes colours. It’s being marketed as THE colour this Season, but only 3 Seasons can wear a true clear turquoise, and the Light Spring is one of them.

I appreciate the flowing lines in the stitching. In 12 Season Colour Analysis, you are a Neutral Season, blending Spring with a little bit of Summer. Those wavy lines integrate your Summer touch with the flowing water effect, while still being gently zigzagged enough to suggest motion. As a gentle Spring, this gentle zigzag is a perfect mirror to your message in colour.

You will express your personality better with some colour transitions. Your Summer trace is monochromatic, but not to this degree. Repeating a colour in the print of a top with a solid bottom will do well. Since you are predominantly Spring, you can certainly mix and match colours fairly freely. The jacket above was made for another Season.

A final great choice, below, the Nike Border Long Sleeve top. The fundamental shape of the Spring Season is the triangle.

The stitching at the armpit to neck conveys the triangle. The asymmetric Nike swoosh, with its lift at the corners, is a great little detail that says movement, and so Spring.

 

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Colour, Complements, Clothes, and Cosmetics

You met Louise in Louise and Stevan Are Light Springs. This is a closeup of her eye.

Louise's eye.

Every human being is a colour story. The eyes are indeed the window of the soul because the colour story resides in them.

Your Season is present in the colours and patterns of your iris design. Sometimes, the Season can be read from the eye, it is so classic. The eye might also contain traces of several seasons, not all of which will matter in how colour affects the skin in the colour analysis.

Colours and line patterns

Here, the iris is predominantly blue or blue-gray. All the webbing radiates out likes waves. This is a Summer-based eye.

The skin at the inner corner and outer corner is yellowish. We see a yellow sunshine around the pupil, though separated from the pupil by a space. These are Spring traces.

Eyelashes are brown, indicating a lighter season.

Louise is a Spring, but she tends towards the cool side, close to Light Summer.

OK, so what good is all this information?

Clothing

Since yellow and purple are complements on a colour wheel, meaning they are located opposite one another, each colour is intensified in the presence of the other. All the violets and orchid colours look beautiful with soft yellows. When Louise wears these colours, that yellow circlet around the iris looks like a garland of sunshine beaming out of her eyes. It illuminates the entire eye area, which looks healthy and youthful.

There is the slightest touch of green with the blue here. Turquoise, very much a Spring colour, looks remarkable on Louise. All 5 Spring-influenced colourings can do a version so incredibly well. The right shade of turquoise, which she finds in her personal colour swatches, will detect and repeat the precise shade in the eye. The eye colour can become extremely powerful simply by repeating it exactly in clothing.

Makeup

Eyeshadow hilite should be cream with a tinge of soft pale yellow. This will repeat the yellow crown in the eye design more effectively than a cooler shade.

If you look at the yellow wreath in the iris, it has a light tan colour. From the 2 to 5 o’clock positions, it is a darker and less yellow shade of brown. This is very similar to the hair colour. If opportunity allows, matching eyeshadow to a brown or gray in the eye accentuates the eye in a way that appears very natural and blended. Colours diffuse, repeat, connect, and the whole flow feels very pleasing.

When you plant a garden, you repeat the same colour over and over. A garden made up of one appearance of ten different plants requires more visual effort, like a flea market. When the mind sees balance and repetition, it sees harmony, and so beauty.

I like light peach, pink, light gray, and light gray-brown eye makeup best on Louise. The article The Mystery Of Brown, the second of the 3 posts in this series, explained how different Spring and Autumn browns are from one another. If your mind says dull, earthy, heavy, brown-peach, brown-orange, gold-orange, muted, or drab gray, do not buy it. If it looks like a metal (copper, gold), do not buy it. If it looks like Autumn leaf colours, put it back. Better feelings for Spring are tropical seashells, blonde wood, icing, and pastels.

Finding complementary colours

The web is loaded with free, small, simple downloadable programs to help you work with colour more precisely.

If you Google digital color meter, you can find lots of choices that tell you the precise web codes for whatever colour your mouse is hovering over.

I like simplicity. Too many bells and whistles are like cell phones with 1000 menus. Who knows how to use more than 10 of them?

I like this tool for finding complementary colours. The page features all kinds of colour picking tools, in the right margin. Play with them, they’re easy and interesting.

Type cdd87e into the box under the left square. That is close to the yellow colour in Louise’s eye. See the purple show up opposite? Cool, hey?

Less is more. It looks expensive and organized. Begin by understanding what you are. The rest is easy.

 

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The Mystery of Brown

This article is the second of 3 connected posts. The first one was What Are Clear and Soft Colours?

There, we talked about muted colours belonging to Autumn and Summer. They are lower intensity. Brown appears in Summer as lighter, softer grey browns, as mushroom colours, or with a blue or mauve tone, as pigeon colours. Autumn browns are span light to dark as latte or browned creams to coffee.

Spring and Autumn Browns

Spring has true brown colours too, just like Autumn. When you shop for clothes or makeup, how do you pick Spring’s camel coat from Autumn’s?

Left, Spring. On the right, Autumn.
Left, Spring. On the right, Autumn.

These colours are not rendered precisely. If you own a Colour Book for True Spring or True Autumn, you may notice that. It doesn’t matter. This illustrates the point well enough.

A color like camel can be very soft, or low saturation, or it can be very bright, or high saturation. It depends on how much gray is in the mix. Look at the two camel browns in the middle row. The Autumn one appears more golden, darker and heavier, even opaque.

The Spring brown feels closer to you because of it lightness. Light colours visually advance. It almost feels more transparent, though transparency is not one of the ways in which we define colour.

Undertones

The Springs have a yellow undertone, while the Autumns have a gold undertone.

All of the Spring colors have yellow added to them, and all of the Autumn colors have gold added to them. So, the difference is between yellow and gold. Gold is a deeper, grayer, and darker shade of yellow.

Spring colors feel light and bright. Autumn colors feel deeper, richer, darker, lower in saturation.

Autumn browns are of lower saturation than Spring because there is more grey in the mix. If they were musical notes, Autumn would resonate far more deeply. The register feels lower. Autumn colours are more golden, but a golden color has more gray in it than a yellow based color. Gold is a darker version of yellow and it is of lower saturation, hence its place among the Autumn colours.

The color brown is actually orange that has been darkened. A dark orange is a brown.

Shopping with knowledge

When we get to 12  Tones, as opposed to 4 Season Color Analysis, the differences are slight, but do make a huge difference in the additive final result. The key to having your entire wardrobe work as one, within itself and with you, is for every item to follow your inborn synchrony. For those who have been draped, you saw that your runner-up Season was not the same as your best.

Below is an example of how to apply this information. It is easier with clothing than cosmetic colours. This is a Laura Mercier palette.

Looking only at the brown eyeshadow quad, do you notice that it is not gold or orange? The colours feel bright, lit with a pale yellow light. The musical note would be high and clear. These may be browns but they are not earthy, which gives a much heavier feeling.

That’s the easiest rule of thumb: Spring browns have no orange in them. Is it fail-safe? No. There are other Seasons with non-orange browns. This just helps you exclude a few of the wrong ones.

Laura Mercier eyeshadow quad at Sephora.

The no-fail guide

But you know, with your Colours Book, you have few worries. You might think that the camels and honeys and light browns are quite similar between Seasons. When you actually look at the swatches in the Books, they are obviously different. Match your personal colour palette as closely as possible and you will succeed. Colour is always best understood when compared to another colour.

Try not to shop from memory. Your success rate will drop to 50%. You do not remember colour as well as you may think. Always, always shop with your Book so you can meet our goal, which is to never, ever have you buy the wrong thing again.

Do your matching in natural, slightly overcast daylight. Take the article up to a window to check the color, or be sure to ask the sales clerk if it can be exchanged if the color is off in natural light. Stores usually use the cheapest lighting possible, which is the worst for viewing true color.

I scribble the product on a piece of white paper because the swatches are painted on white cotton canvas. The sales assistant is standing there watching and possibly feeling quite irritated, but at least it’s not unsanitary.  Then, I flip the pages of the whole swatch book past the cosmetic and decide if they look right together.

 

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