Elisa has always believed herself to be a Spring. Her freckles, warm brown hair, and natural flush in her skin caused her, and others, to conclude that the colours in her design followed Spring colour rules guidelines. When assessing a colour, be it in you or outside you, we ask the same 3 questions, because any colour has 3 properties.
Spring colours are:
Lightness or Darkness? > light, or at least never very dark
Warm or Cool? > warmed, and by yellow, not orange
Clear or Soft? > clear, or highly saturated
The premise of Seasonal Colour Analysis is that every colour in your natural colour composition answers those 3 questions in the same way. Your swatch book is a group of colours that fit on those scales in those exact same positions too, thereby replicating the colours in your design. That is how the magic happens.
I can see how one might look at the light-medium warmish brown hair and see warmth, light, and clarity.
Her eyes are not warm though. They are a medium-dark blue-grey.
The dark brows could make Winter cross your mind.
Nevermind the hair and eyes. We established long ago that they are not used in defining the Season. We look at skin. The person Season is their Season, eyes open or closed.
Without a proper analysis, we cannot really understand skin. You have to watch how it reacts to colour. Are freckles not a sign of warmth? No! Freckles are just another red herring, found in all 12 groups of natural colouring. You have to look beyond them, at the skin.
Both skin and her eye patterns performed precisely as True Summer does. The moonlit, luminous translucency that only True Summer does so well was there for sure. The absolute inability to handle the slightest degree of heat, or we saw instant pasty skin, was there. This skin tone seems to look turquoise in turquoise, and melon in melon.
In fact, Elisa is a study in contrasts. She has warm hair, dark eyebrows, deep blue eyes, and freckles (which feel warm). She could be placed in any number of Seasons, but none would feel right. Once we neutralized all the variables, it was clear that she is a True Summer.
In the past, makeup often seemed too conspicuous so became something to avoid. We looked at how to accentuate her features with the same understated elegance that is true of her entire palette. These are Grace Kelly clothes and colours. This is the skin and eye colour that was made for BlueGrey eyeliner (Annabelle makes a perfect (and perfectly inexpensive) pencil by that name). Everyone can wear makeup beautifully, but the fragility of this skin is easily overwhelmed.
Elisa has some natural shadowing around her eyes. It was least pronounced in the True Summer colours, but wasn’t obliterated altogether. That’s called Photoshop. Many women fight that with too much concealer, which ends up looking caked and even more obvious. There is a little foundation here, but no concealer. I usually apply concealer or foundation, but seldom both. On any Summer, foundation is always divided with moisturizer.
True cool foundation is truly hard to find. If the store won’t allow you to take a few samples home to try in daylight, don’t buy the product. I ask women to bring their foundation to their PCA. So far, none have been wearing the right colour but they knew that already.
In your right colours, you will see the area under the eye become as illuminated as possible. Wear a little makeup, but allow your face. Ignore our magazine-obsessed culture that has us trying to delete our individuality.
One of the biggest misconceptions about True Summer colours is that they are all dusty lavender and Wedgewood blue, old-feeling colours. In fact, the most important feature of True Summer colours is not their dustiness, or softness, or grayishness, all the same idea. It is the coolness, the blueness.
These are not at all confined to being light colours, though Summer is thought of as light. Relative to Winter, it is lighter, but they can do surprisingly dark colour.
In this graphic, the high saturation (hi sat) colours are on the left, as you can see. The lo sat colours are only softer by comparison. They are the colour of denim and flower petals. The True Summer personal colour palette contains these same beautiful colours, at about 50% saturation or less.
The hi sat shades on the left are pigment-saturated, pigment-soaked, pigment-logged. Winter needs them.
Elisa is married to the most mannerly man you could ever meet. Aggression and confrontation are disturbing to this personality. Hurry and pressure flusters them more than most. It is very calming to this character to be able to depend on certain things, especially decency and kindness. Courtesy is the most essential prerequisite of all.
Use of Images
The images contained in this article are of private individuals, not celebrities. I consider the permission for me to use them as a privilege. It is my intention to protect these women’s privacy and generosity. If you use any of the photos without permission, I will seek legal counsel. I do not want to have to reduce the beauty and detail of the photographs with watermarks.
This is a learning site. Please do use my words with credit back to the web page you copied and pasted them from. If you mix up my meaning and get the message wrong, feel free to omit any reference back to me.