Numerous requests have arrived to offer the Luxury Drapes as single Season sets for clients who have enjoyed a 12 Season Sci\ART-based Personal Colour Analysis. I am very happy to do this.
Do you know which drapes I mean? Once we knew your Season with the Test Drapes (took about an hour, hour and a half? with me or Terry (my excellent trainer, always my teacher, we work as a team on the drape colour selections)), but before we removed the fabulous gray scarf that you wanted to take home and wear forever but I wouldn’t give you :),
we then took a separate set of drapes out of another tub. These Luxury Drapes were heavy and kept slipping off. I began by reminding you “Don’t think of them as 15 turtlenecks.” We turned the pages and talked about how you wear your colours. Once your makeup was on and the scarf off, we looked at these drapes once again. In some cases, if we weren’t sure about your Season, we might have compared them with another set, choosing a blue and a blue, or comparing colours that were extremes for the two Seasons.
There’s great value in having an experienced colour analyst (two of us, in fact!) translate your swatches to their manifestation in fabric. Once you see how 15 of your colours are interpreted in various textiles, it’s far easier to extrapolate the other 40 to 50 colours in your colour palette.
The drapes will be the full 18″ x 34″ size that are in the analyst sets, grommetted, stamped, and tagged, exactly as the analysts are using.
Full sized drapes, rather than napkin-sized pieces or smaller squares, are my preference by far. You just gotta have enough colour. As with cosmetics, if the colour’s right, you can wear almost any amount of it. A small sample doesn’t challenge our colouring enough to show us that it will adopt or reject a colour. It won’t bring out all the possible good or enough surefire evidence that’s it not good. The large size allows you to reach the drape fully round your shoulders to get the most colour effect.
You are buying these fabrics to visualize harmony with your colours and features, and also to imagine a wardrobe and the interactions among its colours. The large size ensures that you have sufficient fabric to be the size of a piece of clothing to make outfits. The blocks will be big enough to demonstrate what equivalent energy means. More colour makes it far easier to decide whether a colour can take part in a relationship, or will be not enough or too much. When Terry and I are challenged with a certain colour’s Season, we lay out the Luxury Drapes with the mystery item in the chain. If it doesn’t belong, you can spot it right away.
You will enjoy watching the two-way energizing effect of true colour harmony. Lay your fanned out swatch book palette on the drape fabrics. Notice that each every colour is very vibrant, in focus, and the fabric underneath is also the most it can be. These two things bring out the best in each other. Understand this better by placing your swatch book on items in your house, furnishings or other clothing. Pay attention to the swatch colours and to the colour underneath. Begin with an item that you know is far from your own colours. Notice that the palette lacks the colour energy and vitality that it has on your drapes, or the opposite, that the palette is dominating the background colours, as if it were separating or sitting far above it. What is happening to the palette is happening to your face. Every item you buy should cause every swatch of the palette to be as strong, and strengthened equally, as it is on your drapes.
Analysts already have white, yellow, green, blue, and red in the Test Drapes. The Luxury Drapes contain colours that we don’t test with (purple, for instance), beautiful versions of colours we do test with (more greens, reds, and so on), and more versions of colours that are spectacular on that particular colouring (turquoise and shine on Springs).
Test colours are somewhat proprietary and won’t be included. However, I do feel that you should have your white in your Personal Luxury Drapes. One colour will be substituted for white in these sets (unless you indicate otherwise). If there’s a certain colour that you’re having trouble with, say Summer yellow, I’m happy to substitute that as well.
At this time, I have a fairly large fabric inventory. Limiting myself to only 15 colours per set for the analysts can be a struggle. I want everyone to have every colour. You are welcome to request as many colours as I have (price below). You are also welcome to request certain types of colours (reds, level of shine, hair or cosmetic colours, neutrals, your black or alternative), if I have that material. Once a set has been purchased, adding to it in the future is too complicated to describe. Best to buy everything you might want the first time.
A personalized letter accompanies the purchase. It outlines the information held by the drapes and how to make use of them to guide your purchases, with situations that might arise for each Season. For example, the Neutral Season drapes will contain the warm and cool versions of most colours.
The precise fan colours are not necessarily represented and they don’t need to be. Maybe it’s better that they’re not, to give you a sense of the Season’s borders in colour space, often wider than what the literal interpretation of the swatch books suggests. Remember that you have a thousand colours that are not in those fans. The drapes can teach you to select any colour that can harmonize with your Season.
Drapes are the swatch books taken to the next level, as their physical representation. The swatches in the books are small, and although incredibly effective, the size places some limitations on your perception of the colour. If you looked at a swatch and I help up the corresponding garment or textile, you might say, “Oh, is that what that looks like?” Or maybe you wouldn’t but I do.
The PCA process moves in a line. It begins with the colour theories and charts that provide the building blocks for the palettes. From the palettes to the Test drapes, you have moved into physical expression, though still in the land of theory. From Test to Luxury drapes, you cross the bridge from theory to real world application, the simulation of a shopping experience. So roll your clothing, accessories, shoes, and jewelry around in your Luxury drapes before deciding which purchases to keep.
I am excited to make this vital aspect of a working colour analyst’s tool kit available for you. The more ways you see your colours, the better you understand, recognize, and use them. There’s nothing I want more.
To support the colour analysts, it is only right that they purchase the drapes at a lower cost than their clients.
Retail price for a set of 15 full sized drapes is USD$465 (USD$33 per drape), therefore 10% more than for analysts. Any colours can be added that are in the inventory. We will make your set together.
For Canadians who live in HST-applicable provinces, the 13% HST is added (5% in Alberta).
Drapes must ship from Canada. Residents of other countries do not pay the HST. I cannot say what duties or taxes are required in your country. They will be insured for $500.
Only one Season’s set will be sold to an individual.
Other colour analysis systems use different colour collections in their Seasons. I do not want our palettes to create conflict in their clients’ process or practice. In your inquiry to me about the drapes, please mention which Sci\ART analyst you saw for your PCA.
This purchase is not refundable so please be very certain that your Season is correct and you feel good with it.
If you would like to purchase your Personal Luxury Drapes, please email me at email@example.com. We begin by sending you a list of the colours available. You can select any that you wish, a process that I am happy to help with. Final sets usually number between 18 and 30.
For a long time after learning our which palette is ours, we tend see it as a whole. This is a fascinating process because your eyes will now notice each dot as an individual, the single tree in the forest, the droplet in the rain. Your mind will be asked, “What makes each colour belong?” and “How does each colour differ from every other?” at the same time. You are reaching a higher level of working with your palette.