This higher-than-usual contrasting True Summer can also wear bigger jumps from skin to lip colour, wearing her darker tones in the daytime very easily. She wears a near-fuchsia blush well, as Avon mark Dollhouse, which will read as too sharp, pink, and candy on a more blended True Summer.
Forest green is too sharp and obviously a cosmetic most of the time. This is a grayer, browner green, for instance, Merle Norman Hazel.
Every available hue should be present in as wide a range of hue, value, and chroma as the Season will accept. Very hard to do unless the consumer wants to carry a 5lb. book around, which is why it’s so important to choose garments using the entire fan, not single swatches, to maximize your colour options.
A Light Summer can wear black at times DEPENDING on what the contest is. Her skin likes the saturation and the coolness. If the comparison is with Autumn, her skin might find several things in black to like. Now if the comparison is between black and silver, there may still be good stuff happening in black but less so.
But my love for colour wouldn’t go away, and one day as I was googling about colour, I hit upon this treasure trove of information, the 12 Blueprints website. It was something I’d never seen before – pages and pages of free information about colour.
How do members of a Season borrow colours into their wardrobe successfully? All sorts of diagrams exist to assist people of certain colouring, or Season, in finding clothing colours that are not within their palette. Examples you might see include, – True Summer and True Winter – because they’re both very cool – Dark Winter […]
Wearing Bright Season colours doesn’t mean that you’re a walking flag, just as the idea that Dark Season colouring wears only dark colours is not true. It means that of the 3 dimensions that every colour answers to (warm-cool, light-dark, muted-clear), the one thing about yours that isn’t medium is its purity of pigment.
Wear a neutral gray and tie your hair to choose the colour. Deciding your Season or your foundation by looking requires the consultant to take what they think they see, and make more. If what they think they see is correct, great.
The precise fan colours are not necessarily represented and they don’t need to be. Maybe it’s better that they’re not, to give you a sense of the Season’s borders in colour space, often wider than what the literal interpretation of the swatch books suggests.
You don’t have drapes. Or anything else for the skin to react to. Of the many companies out there offering PCA services, I would have to hope that if we agree on one thing, it’s that the ‘analysis’ part of PCA refers to the evaluation of simultaneous contrast effects. That word, contrast? By definition, it means between two things.