Tag Archives: David Kibbe

A Sharper Classic Soft Autumn

We can’t do sharpness of colour, since muted colour is a prerequisite of Soft Autumn. We can’t do sharp as darkness either. Soft Autumn is very soft, quite warm, and medium light to medium dark. It’s the lightest Autumn. You can easily read without turning on a lamp. Because it’s on the sunny side of Autumn, the colours feel bathed in late afternoon light. Not candlelight, that’s Dark Autumn magic.
We need some other expression of sharpness, the same one that the body itself expresses. That’s when our clothes make sense, when their lines and colours are the same as the body they go on.

True Summer Visuals and Soft Dramatic Styles

True Summer, like True Winter, isn’t an overly colour busy Season. In the Winter’s case, it’s because every colour is so much that one at a time is plenty. In the Summer case, there’s a tranquility, like a Japanese Zen garden. The softness of the colours means that they weave together more elegantly than Winter, but a hint of hectic or functional takes the feeling off track. Also no giggles, no sarcasm, no squirting (Spring), and no forcing, no pushing, no controlling (Winter). All is perfect and all will be perfect.

Nude Shoes for 12 Seasons

When you’re really close to the core colour, you don’t notice it on them. Like mulberry lips on Dark Winter, like blue anything on True Summer, like gold on Autumn. True Winter can disappear black so you can do things with black that would be more obvious on the other types of colouring.

Jackie and Annie Are Bright Winters

I didn’t imagine she would balance Bright Winter. A colour analyst has the same comparison-based sense of vision as everyone else. We can guess but we know how much money you will part with based on our advice. We don’t guess. We measure. She balanced it and then some. Her eyes were clean and crisp – what happens to part of the face happens to the whole face. It’s just that some features are better markers for it. If your eyes are clear, so is your skin. If their edges are clean, so are the rest of your features’.

The Best Skin Finish on Summer Colouring

The True Summer section applies. There is more warmth here as a definite first warm weekend in May. Outdoor glows are great but controlled. A pale pink gold gloss OR an uplight on the cheeks is plenty. You are a Summer, not a Spring, so restraint is needed. A May picnic isn’t the same as the beach in July. As a Neutral Cool colouring, remain cooler than warmer in everything you add.

The Soft Dramatic Soft Summer Part 2 (and Hair Colour)

Use a taupe highlight, like medium mushroon, for a tone on tone look. The colour is in your swatches. It is cooler than it is warm. But be careful. Someone sees warmth in the eye and the very neutrality of the skin and overestimates the warmth. Soft Summer is often getting coloured way too light and yellow so the face goes oily and yellow. This is not a butterscotch light, it’s taupe.

The Soft Dramatic Soft Summer Part 1

For all three Summers, the ability of adjacent versions of the same hue but differing values to appear 3D, to advance and recede, is central to understanding those Seasons. On Summer colouring, monochromatic colour schemes lose their flatness and give the illusion of a rounded, touchable image.

Autumn’s Children

A Soft Autumn looks great wearing Autumn colours in Summer’s way (analogous, flowing, floral, soft). Dark wears her palette in the Winter way (bold, more contrast).