True Winter and True Summer lipsticks exist on a continuum. There is movement between them. The True Springs and Autumns are totally different in cosmetics, except perhaps the odd brown eyeliner.
The early feedback from my own use with clients and pictures and comments from the analysts using it is better than good. From Rachel (Best Dressed) in Philadelphia: “These lipsticks are fantastic. Never before has finding flattering makeup for each season been so foolproof.” From Margareta (email to email@example.com) in Sweden: “We tried Delicacy on … Continue reading Introducing 12 Blueprints Cosmetics
Does she look older? Is that a bad thing? All optical effects are a trade-off. A colour analyst could take any redness out of a face, though she would have to jaundice or drain the face to do so.
Like any garment, any given pair of jeans truly contributed best and were an enhancing choice in one or two palettes only.
Your whole face has to wear the yellow, or any colour, so you need to match the whole palette to it. If there are particular colours in your fan that you feel best in, match the yellow to those.
Soft Summer colouring has more muscle than the other Summer groups. Colours are more solid. Texture is a nice way to communicate this man’s strength and add variety to a monochromatic look.
There is no reason to believe that foundation can be matched by Season, because the final colour is influenced by the overtone, the undertone, the idiosyncrasies of the face, the pH of the skin, and the list goes on for an hour.
She can be quite beige, with the milkiness of the skin. A monochromatic cream, beige, and light brown makeup palette can be gorgeous, effortless, the ultimate natural face that Light Seasons actually do well at any age (and Winters at no age).
Light Spring was looking all dreamy and holiday till I inserted that green purse. Is that item helping the nice feelings or is it taking over? Is everything around it washed out and falling back? That’s what a Light Spring woman looks like wearing Bright colours.
The analyst evaluates many markers, related to line, colour, and texture, and makes a better-than choice. The markers will not be the same in every face. A Dark Winter man may wear Bright Winter saturation fairly well if his colouring is intense, but his face might look very oily. Another Dark Winter man will lose eye energy in Bright Winter drapes but the complexion reflects light much the same between the two.