In darker colours, Dark Seasons are better defined. They come into focus. The dark clothing is full of colour and vitality, not flat or plain. Dark jewelry shows up against their body, while light jewelry can be harder to see.
Your whole face has to wear the yellow, or any colour, so you need to match the whole palette to it. If there are particular colours in your fan that you feel best in, match the yellow to those.
This higher-than-usual contrasting True Summer can also wear bigger jumps from skin to lip colour, wearing her darker tones in the daytime very easily. She wears a near-fuchsia blush well, as Avon mark Dollhouse, which will read as too sharp, pink, and candy on a more blended True Summer.
Every available hue should be present in as wide a range of hue, value, and chroma as the Season will accept. Very hard to do unless the consumer wants to carry a 5lb. book around, which is why it’s so important to choose garments using the entire fan, not single swatches, to maximize your colour options.
If they applied 5 foundations and chose one, there’s a much higher chance of getting things right. Since they haven’t a clue about your heat by looking at you, I hope they used a selection of colours all the way from pure cool to pure warm, not available from most foundation companies.
How do members of a Season borrow colours into their wardrobe successfully? All sorts of diagrams exist to assist people of certain colouring, or Season, in finding clothing colours that are not within their palette. Examples you might see include, – True Summer and True Winter – because they’re both very cool – Dark Winter … Continue reading Colour Sharing
Wearing Bright Season colours doesn’t mean that you’re a walking flag, just as the idea that Dark Season colouring wears only dark colours is not true. It means that of the 3 dimensions that every colour answers to (warm-cool, light-dark, muted-clear), the one thing about yours that isn’t medium is its purity of pigment.
We can’t do sharpness of colour, since muted colour is a prerequisite of Soft Autumn. We can’t do sharp as darkness either. Soft Autumn is very soft, quite warm, and medium light to medium dark. It’s the lightest Autumn. You can easily read without turning on a lamp. Because it’s on the sunny side of Autumn, the colours feel bathed in late afternoon light. Not candlelight, that’s Dark Autumn magic.
We need some other expression of sharpness, the same one that the body itself expresses. That’s when our clothes make sense, when their lines and colours are the same as the body they go on.
With silver hair, I would think of wearing more grays than black. Aim for a lighter overall effect. Wear sheer cosmetics and the bold colours away from your face as purses and nail polish. Feel free to drop the saturation a bit but don’t wear pastels, whatever you do.
On a Soft Season, the liner, lid, and contour are quite close in darkness level, as in medium, with contour only slightly darker. They distinguish their roles by being of different colours in similar darkness levels, rather than Winter’s variations on one colour (gray) in extremes of darkness levels. On a Winter, light means really light and dark means really dark.