Knowing your white might be the biggest payoff to having your colouring analyzed if you happen to be an Autumn, on whom wearing white every day is a series of unfortunate events.
True Winter and True Summer lipsticks exist on a continuum. There is movement between them. The True Springs and Autumns are totally different in cosmetics, except perhaps the odd brown eyeliner.
I confess to surrendering shamelessly to Light Spring wedding dress overload. For once, this is the easiest Season to find clothing for.
Does she look older? Is that a bad thing? All optical effects are a trade-off. A colour analyst could take any redness out of a face, though she would have to jaundice or drain the face to do so.
Like any garment, any given pair of jeans truly contributed best and were an enhancing choice in one or two palettes only.
In darker colours, Dark Seasons are better defined. They come into focus. The dark clothing is full of colour and vitality, not flat or plain. Dark jewelry shows up against their body, while light jewelry can be harder to see.
Your whole face has to wear the yellow, or any colour, so you need to match the whole palette to it. If there are particular colours in your fan that you feel best in, match the yellow to those.
First, I needed to have a PCA to experience it for myself and figure out which season I was (I know many of you reading have felt that pull!). Second, I knew that it might be a possible career option for me.
The navy and dark brown in this palette are near black, fine colours but not a first choice in high humidity. I’m very partial to the very dark tobacco colour as a neutral, even in hot weather, maybe because it’s jungly.
This beige colour became the beginning of a long journey hunting for my true season. Here I discovered how much had happened to the world of colour analysis since the 90ies.